George Brecht

Jill Johnston has an article about George Brecht and the event-score here. Johnston's writings are always an experience of their own, as they are so cheerfully ill-behaved, mixing the autobiographical with the scholarly and running on from one thought to the next, allowing the argument to take its own course, rather than force it into a conventional essay format. I've long admired Brecht's notebooks (Walther König : Köln 1991- ), which began during his composition course with John Cage at the New School, which are both the best available record of Cage as a teacher and the record of an artist following the rigorous consequences of one line of inquiry.